Anna Pavlova (1881 - 1931) was a Russian superstar who put his life and soul into the interpretation of classical ballet. She still remembers the feelings she was able to communicate through her dancing.
Ana dancing almost all her life. As a small child, she danced in the fields near her house with the butterflies, you feel it is thought that the butterfly can be felt. When Anna was eight years old, her mother to see Tchaikovsky's "Sleeping Beauty" in Mariánský Theatre in St. Petersburg. Anna moved to dance so much, she decided to devote her life to ballet and was, two years later enrolled in the Imperial School of Ballet in the czars' court in St. Petersburg.
ballerina Pavlova originated in 22 age. At that time she began performing the ritual, is always done, something that will continue to do so until she died. Quite simply, her life is dance, dance of her life. When she's not actually on stage dancing, she will be dancing and mentally preparing herself for the physical dance. Even during a conversation with people flitting fingers would be like a butterfly.
It's not unusual for Paul to nine or ten performances each week and practice for every performance at every "spare" time. She is a perfectionist, almost fanatical in her dancing. "Art is not a flower leisure, or relaxation. Art means work. It is useless to dabble in beauty. They must be totally dedicated to beauty, with every nerve in your body." Paul actually lived these, in their own words.
If her critics to believe, Paul is a genius of ballet. Walford Hyden, her former musical director, said: "In my profession it is as technically perfect as possible for a human being to become ."
Paul's techniques and philosophy are one. ". It was not a theoretical thinker She philosophized with legs, and with every line and curve of her body was found beauty in the world in a practical, physical demonstrations, " Hyden stated. Valerian Svetloff, a ballet critic, saw Pavlova dance said: "Her 'pirhouettes' are absolutely" clean "and her" pizzicato sur les pointes' irreprovably elegant ... Her 'fermatas sur pointe "are completely clear, they wonder and charm at the same time. The same can be said that her balance reaches almost impossible. It's the perfect technique, not in any way diminish the ease and ethereality her dancing, even when it does the most complex movements ... With all seem natural and easy;. there is no shadow of efforts anywhere she never lost her elegance, her simplicity and ease of her ... Even the worst of its variations never seems to cost her the least effort .. . Not only is dance, dance, but it conjures up images of passing one by one before the public eye. It not only performs her dances, she makes them ."
use of her hands was one of Paul's remarkable achievements. She could not express any feelings flits through the tiny fingers. Also, it can do "arabesque" pose, with one leg raised and pointed behind her, very well.
tried to Anna Pavlova dance fantastically please your audience. "Her versatility was amazing, " said Hyden. "It can change the tragedy of 'Giselle' or touching characterization of" Amarillo ", play a few minutes later, part of the naughty and mischievous daughter in 'La Fille Mal Gardel,' enrapturing ballet company and the audience alike with her delicious mischief and coquettish ways. When you consider that she will be in Greek "Dionysius, " the Egyptian "Egyptian mummy, 'goddess in the Hindu" Krishna and Rada, "the spirit of life in " Les Preludes ", Perisan Princess" Three Palms ", the classical ballet-dancer in "Chopiniana," magic birds' Russian folk lore, "fairy doll" Fairy Doll 'debutante in "Call Valse,' - the name at random, but a few of its many ballets - one realizes how much she herself was schooled in flexibility no other player could hope to portray as dramatic characters in a repertoire, actually live parts as it did "<.. / P>
Paul has never managed in the twenty years he danced to please her audience through the ballet.
dance historian and critic Cyril Beaumont once wrote: "It was the first and last great individual artists, unity in himself, who had supreme power not only to be able to breathe to dance like a flame spirit, but no matter how many times she has danced before him, to invest it with the air of spontaneity, news and freshness, as if he only was born. It is something more than a dancer. It features her speaking and her body sing ."
She died of pneumonia in 1931, three weeks before his 50th birthday. About a month before she was to board a train that had less derailment. She walked the length of the train in only pajamas and a light scarf to investigate the situation, many believe that this compromised her health and caused pneumonia. On her death bed, she reportedly said: "If you can not dance then I'd rather be dead." On the day that would be her next performance, the show went on as scheduled with a spotlight trained on the empty space on the stage, where it was.
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